Horse-News likes interviewing people. General Mumble is a person, who makes music and has a thing for chicken costumes. In this we learn about his music, his fetish, and the future. Check it out below.
HN: So, Mumble. General Mumble. Do I call you that, or?...
General Mumble: You can call me
whatever you like but I suppose Mumble is best for this yes
HN: Righto, then. So first, I want to
say that it's pretty interesting how much music you release so fast.
General Mumble: "Interesting",
eh? Well, like, from the start of making it I've always loved the
idea of having a pretty extensive library so it's great to have
achieved that.
HN: Extensive and varied. You have,
what, eight names that your music is released under?
General Mumble: I'll go check that.
It'd be pretty embarrassing if I got that wrong... Yeah eight.
HN: And your most recent release, just
last week, is under the Ariah alias. What do you wanna tell me about
that?
General Mumble: There's a fair amount
to tell about it! I guess the first thing would be that I'm super
proud of how I managed to make exactly the product I was hoping for,
if that makes sense.
HN: Always nice when something comes
together just as intended. But more about the alias and the album
itself? It doesn't sound like anything you've really ever released
before.
General Mumble: You're right, it
doesn't. Though, interestingly the Alias itself was created as a way
to kick back to the style of music I used to make. The first album I
released, "Unrealectric", was kinda laid back and spacey,
and that was under the name General Mumble. I felt like my music
under the General Mumble name had progressed a lot since then, I'd
learned a lot, and that original style kinda drifted away from my
productions. Everything shifted to being a lot more dancey,
sometimes harder hitting, etc. So I wanted to, as I said, try going
back to that style with my new found knowledge (Unrealectric is
almost four years old now). Ariah and the new album, "Voyager",
are greatly inspired by the world and music from the 1998 PC game
"Unreal", and so was "Unrealectric". So I went
with the whole idea of having Ariah as a character from that
universe, and really getting myself immersed in it.
HN: Very... interesting. I'm sure that
after four years, it only makes since that you'd get good at
something, especially with the volume of "practice" you've
had, so to speak. But the last part of your statement there, that
it's about the Unreal PC games. That's certainly not horse related
in any way, shape, or form, is it?
General Mumble: Nope. It's a pretty far
cry from horse
HN: Would you say that the bulk of your
subscriber base are bronies? Or, whatever you wish to call the them.
Us. w/e
General Mumble: Yeah most definitely.
I'm most known for my pony music, and it's really the only internet
community i've actively been a part of, so it'd make sense that
that's the case.
HN: A quick glance at your youtube
channel's most popular stuff does prove that, yeah. How does it make
you feel when something like Voyager's "Two Suns" gets a
few thousand views to four hundred thousand views on "She's a
Pony"?
General Mumble: Well, I have mixed
feelings about it. One part of me says it's disappointing that
there's an amount of people who just won't listen to my work unless
it's pony, and another part of me is way grateful that lots of people
listen to my music in the first place. I mean, a few thousand isn't
a whole lot of views, but I remember back to when I was first making
music, trying to get it off the ground... I'd be really happy with
anything over 50 views. So to know that anything I release these
days, pony or not, is gonna get thousands, still means a whole lot,
even if a lot of the pony songs have had substantially more. I'd
rather be grateful than spoiled by those high-views songs, you dig? A
lot of sharing is involved when it comes to community-based songs.
If someone likes a pony song, they can share it in the pony
community, and it'll likely get shared again and again. It'll also
likely feature on sites like Equestria Daily, which'll give it a big
burst of views. Whereas when I release non-pony things, there's
really not many places people can go to share it. There's the Unreal
community I guess, which is nowhere near as active as the horse
community that's for sure, but generally speaking, my non-pony work
doesn't really have anywhere to be advertised and spread around. So
I do get why the views are a lot lower.
HN: That's all very true: does it make
you feel discouraged to make non-horse music? Or... more does it make
you feel pressured to make horse music?
General Mumble: It used to make me feel
a little discouraged, definitely. But I've grown to sort of, well,
not be discouraged. Knowing that people are genuinely excited to
hear what I do next, regardless of theme, is fantastic in every way.
When I've released songs under other names, and people compliment me
about how they love the style, or that they're really excited for an
album, it makes me happier than you can imagine. As for feeling
pressured about making horse music, that's an "I used to"
affair too. There was a point when people would comment on my
non-pony work with things like "good, but not pony" or
"where is the pony music" or "i'm a huge penis",
but that's basically gone now. So the pressure to make pony music is
almost gone. There's still some, but that's not caused by the need to
make something that'll likely be more popular, it's more that I miss
having pony inspiration and feel like it would be nice to get some
more material out there.
HN: I see, I see. Comments like "good,
but not pony" have driven some artists to, shall we say, leave
the fandom. I won't mention any names but I'm sure that a few come
to your mind. Did you ever consider abandoning it, and do you think
you ever will?
General Mumble: I've never considered
abandoning it, because to me, it doesn't seem like a binary thing. If
I drift away from enjoying the content or community, so be it, it'll
happen over time if and when it does. I don't like the childish
attitude of "leaving the fandom" one bit. It reminds me of
when children throw their toys out of the crib in the heat of anger
when their mother yells at them. Any large group of people is going
to contain a percentage of ingnorant, ill-informed, inconsiderate,
and completely insufferable twats. Bronies are no exception to this,
but it's good to remember that no large community is an exception to
this. I can deal with those kinds of things. I can toss them aside
and ignore them, I can laugh at them if they're particularly bad, or
sometimes, if I'm in the mood, I'll try to be friendly and explain
how that kind of comment makes the artist feel in a constructive
manner.
HN: Well said and well behaved. Shall
we move on to something lighter now, perhaps?
General Mumble: Absolutely!
HN: Neato! So, what was the spark that
ignited the urge to make music for you?
General Mumble: Well, I'd played around
with eJay (a basic loop-centric music making program, mostly for
beginners) back when I was pretty young, for fun with a friend, so
making music has been somewhat of a thing for me for some time. I
started a band with that friend and some others in the early 2000s,
and that lasted until 2006-7 or so. And then the General Mumble
project came along when that same friend of mine introduced me to Fl
Studio, and we learned the basics together and slapped together some
music (we actually came up with the name General Mumble together, and
for some short time, the project was a 2-man project, but university
came along and I just carried the project on by myself, which he's
totally cool with). The main reason I really wanted to continue it
beyond just doodling stuff with a friend was actually to do with
Unreal again. I really dig the music in that game, I love it to
bits, and wish there was more music that sounded like it. So I
figured I could make it a goal of mine to create more, or at least
take some inspiration from it and work with that. Short time after,
Unrealectric was finished and I patted myself on the back for
creating an entirely solo project that actually sounded decent
considering I'd not long been doing this sort of thing for very long.
HN: And 4 years later, you're still
going.
HN: You say you were in a band, so I
have to ask, who are your inspirations? Your favorite musicians?
General Mumble: Back when I was in a
band, in my teen years, I was a bit of a metalhead. I used to love
all sorts of heavy music, I think simply because it was heavy
sometimes, though my taste in metal these days is a lot more picky.
I'm a big fan of In Flames (there's a bit of a divide in the In
Flames fanbase between those who like their "new" and "old"
stuff. I like both, but much prefer the new), for their tasteful use
of typical metal elements (the screaming isn't overdone, and vocals
vary a lot), and I really dig the peppering of synthesisers and
electronic elements here and there. I like Metallica for the most
part, too. I'm not such a fan as I used to be, which is mainly down
to not enjoying their more recent material (I didn't like Death
Magnetic too much. It was a bit of a tiring album (and not in the
good way) for me). I dig pretty much everything before it though...
yes, even St. Anger, in fact especially St. Anger. I love that album
to bits despite the huge hatred for it. I can't say I've taken much
musical inspiration from Metallica though. System of a Down are a
band I've loved for a long time, though I didn't enjoy the two later
albums as much. I love their first though. It's rough, raw, and
beautiful. System of a Down have influenced some of my music,
particularly more recent tracks under the Daemien alias. HIM are
probably my favourite band (that can't really be considered metal,
stricly speaking, but whatever, they have guitars), and have
inspired a lot of my music, particularly the music that will appear
on "Synesthesia". The most recent addition as far as rock
music inspiration goes is The Mars Volta. These guys have had a huge
impact on my music, inspiring tracks that are more off-the-wall and
progressive. They've taught me that being carefree and very different
with music can be absolutely fantastic, sometimes. As far as
electronic music goes, Ren Queenston (Renard, Lapfox Trax, etc.) has
had the biggest impact on my music. And many that know their music
will probably notice this in mine. Ren is where the idea of
separating music into aliases first came about for me. Well, it was
actually my dad saying "if they do it, and you make a lot of
different music, you should try doing it too!". So I did that
and it's been the best thing ever. Alexander Brandon, the composer
for the majority of the Unreal soundtrack is another big inspiration
because of, well, creating what can be considered some of my
favourite music ever, the music that inspired me to start making
electronic music seriously in the first place, as I mentioned before.
And last but not least, sci. A musician I met through the pony
community who has taught me a whole whole lot about many many things,
and creates some very very different music that I can very often
only categorise as "sci" music. I liked that I could tell
his music is his music, while always being interesting and unique,
and that's inspiring.
HN: Well got dang. It sounds like
you're a very inspired little artist, eh?
HN: Anyway, we're narrowing it down.
General Mumble: Yeah I got carried away
with that one...
HN: It's all fine. All Fine
General Mumble:
..............................
HN: So, beyond yourself but yourself
included, what do you think the future is for horse music? You
mentioned how it was a binary thing, slowly growing away from the
fandom. You haven't made a lot of horse-related stuff; do you foresee
others following suit? Thoughts.
General Mumble: Well, it's eventually
going to slow down and stop for everyone if it hasn't already. It's
obvious that a lot of those who made it before are getting or have
gotten tired of it, but there's always new artists coming along, and
that's fantastic! I do feel like not many of the newer artists are
respected by the older artists though, and that's a huge shame.
Regardless, I think it's fantastic that new music is still being
created, but the realistic truth is that horses is just a fanbase,
and eventually, in however long it takes, it will become less and
less active. As far as myself and horse music goes, I do have a mini
EP release in the backburner actually, which I've kept kinda quiet
and plan to release "when it's done", and I really enjoyed
making my second Halloween pony EP last year, so that'll probably
happen again (and maybe again). I'll make pony music whenever I feel
like it, even if it happens less. I'm not gonna just declare one day
that I've stopped. I might even pump out a pony track or twenty when
I'm sixty-five for the hell of it. I don't feel like many people
follow this mindset though, and unfortunately, far too often see
people just be like "nope, no more horses i'm done", and
that's it. It's a shame, really.
HN: In the backburner, hm? An exclusive
tease, right here on Horse-News? As for the rest of your statement,
it's a sad truth, but Hasbro's promised us like 5 more years of this
ride. Hopefully the quality stays high. Or gets higher, depending on
your stance
General Mumble: You heard it first
WORLD EXPLSUSEIVE
General Mumble: Hopefully so! I'm
actually loving season four right now.
HN: A few episodes behind, personally,
but a few that I've seen this season have been very, very good.
HN: Now's the part where I'd say we're
done, but I've got one more question because everyone's just dying to
know.
General Mumble: shoot
HN: You. Chickens. Why?
General Mumble: It started with that
halloween episode. I think I made a few jokes with friends about
Pinkie's chicken outfit and things escalated into me supposedly
fetishising them. So it became a thing that I had this fetish for
chickens and then eventually, I developed a bit of a kink for
chicken-style-dresses, chicken mannerisms (partner suggestively
clucking or something). Also have you seen those things? Their
vaginas and buttholes are THE SAME THING
HN: Horse-News: Quality reading
material.
HN: Well, Mumble, thank you very much
for your time!
HN: I hope you find a chicken that
makes you real happy some day.
General Mumble: My pleasure! and thanks
for the well wishes
mumble's probably one of the few artist that deserves the praise they get. lookin foward to more
ReplyDeleteHey, I'm a person! Why don't you interview me? is it because I'm a nobody?
ReplyDeleteYou're not a person. You're a construct of human perception. An illusion created by the human psyche for the purposes of not being alone.
DeleteAhhhh this is really cool to see and read. Thanks Mumble and HN for being cool
ReplyDelete>tfw it's been 3 years since you first listen to his songs
ReplyDeleteI love General Mumble.
ReplyDeletegm has to be the most down-to-earth pony musician there is. great read
ReplyDeleteWait... there's someone out there who loves the original Unreal more than I do? And he's made three albums?!? I gotta go buy them!
ReplyDeleteIn spite of the fact that there is nothing amiss with having a fetish, or even fetishes, there is additionally nothing amiss with securing your own particular private character and individual life. wax play
ReplyDelete